Tuesday Tunes 51: Cheating

A message to youth

I kinda set this week’s theme up in the previous episode of this series, both by including one song which cheated against my own ‘rules,’ and also in the comment I made about the news story relating to the serial shagger who has somehow become this country’s Prime Minister. Anyone with an ounce of decency would have resigned by now when caught dipping his wick at the public’s expense – although decency isn’t a word I’d associate with him or his government chums. But it has given me the perfect lead for today’s theme: cheating.

I have seven songs for you this week. Four are the classic ‘you done me wrong’ sort of cheating, one is someone on the brink of temptation, one is trying to hold things together, and the last one isn’t sure if cheating is going on or if he has just missed the clues that things are over. Happy days all round, then!

For me, the definitive song of this type has always been this one:

The word ‘classic’ gets thrown around a lot, but there’s no denying this one deserves it. The first version of the song to be released was by Gladys Knight And The Pips in 1967, when it went to #2 in the US. Marvin Gaye’s recording was a 1968 release – both versions were on the Motown label – and it was a huge hit, making #1 in both the US and the UK, for seven and three weeks respectively, as well as in several other countries. The song was also recorded by The Miracles, but Berry Gordy blocked their version – and initially the Marvin Gaye version too – as he didn’t like them. What did that guy know about music, anyway?! There have been many covers of this song, notably the one by Creedence Clearwater Revival, who turned it into an eleven minute epic for their Cosmo’s Factory album in 1970. Much though I like CCR, I still think Marvin’s is the best version.

This week’s second tune is another classic of the genre:

That was from Ace’s album Five-A-Side, which was released in 1974. The song was taken from it as a single, and peaked at #3 in the US (the album made #11 there). It’s funny how your memory can play tricks on you, though: I always remembered this as a huge hit here too, but it actually only reached #20. The lead singer is Paul Carrack, who has been in several bands since then, including Mike And The Mechanics: remember The Living Years? He sang it. He has also had a long solo career, and is still producing some fine albums. And by complete coincidence, today is his 70th birthday – Happy Birthday Paul! Funnily enough, this song was actually written by him about rumours that the band’s bass player, Terry Comer, had been talking to other bands about playing with them. But for most people it has always been interpreted as a song to an about to be ex-lover!

This next one is the one about someone trying not to give into temptation. Does he yield? You’ll have to watch the video to find out:

That was from Del Amitri’s third album, Change Everything, released in June 1992. They weren’t the most prolific of recording artists, making just six albums in the period from 1985 to 2002, but they are all excellent. Four of those albums reached the UK top ten, this being the most successful at #2. It was also a #178 smash in the US. The song was a modest single hit here, getting to #30, but it didn’t chart in the US. The band were from Scotland and had the ‘distinction’ of recording the official song for the Scottish football team for the 1998 World Cup finals. Rather optimistically titled Don’t Come Home Too Soon, it fared better than the team, making #1 in Scotland, #15 in the UK as a whole, while the team did their usual trick of failing to get beyond the initial group stage. But at least they made the finals that time – a rarity of a sort, which England supporters always enjoy!

I’ve been advised that this video doesn’t work in the US. My apologies, as it is the record company’s official one! Hopefully this version on YouTube works for you, as it’s a great song! https://youtu.be/R6aSKDiqPKs

The next two songs are about someone suffering in the knowledge that his love is cheating on him, and is getting ready to go out to do just that. The first of these is probably the first country song that Kenny Rogers recorded:

Kenny Rogers And The First Edition’s first hit single was the psychedelic Just Dropped In – this was a long way from that! It was the song that made them an international success, reaching #6 in the US and #2 here in the UK. Around the time this was recorded the original female singer, Thelma Camacho, parted company with the band and was replaced by Mary Arnold – who was given the job in preference to a certain Karen Carpenter. The rejection didn’t seem to affect Karen’s recording career too much. The song was written by Mel Tillis, who rather unhelpfully didn’t clear up the doubt about whether the ‘crazy Asian war’ reference meant Korea or Vietnam by saying ‘it might have been WW2.” That reference does however show that this is a serious song, and not just a poppy little tune.

The other ‘she’s going out’ song is, I think, a fairly obvious choice for me:

That live version is just sooo good! The harmonies are perfect, and it is such a great song from one of my all time favourite bands: they even gave me the name for my blog! This was a track on The Eagles’ fourth album, One Of These Nights, released in 1975. It was co-written by Don Henley and the late, great Glenn Frey, who sings lead vocal. The album was a US #1, and got to #8 here. As a single, the song reached #2 in the US but only #23 here. For some reason the band has never had the chart success here that I would have expected. This was only their second hit single here, following the title track of that album, which also got to #23: all of their earlier great songs didn’t make our charts. And if I were to ask you which was their only #1 album here what would you say? No, it isn’t the obvious one: both Hotel California and their first Greatest Hits album only reached #2. It was actually their comeback album Long Road Out Of Eden in 2007, showing that a 28 year wait between albums can have its reward! They have sold over 100m records in the US and 200m worldwide, though, so we’ve done our bit to help them along their way.

Apparently this one doesn’t work in the US either. There is another posting of the same video, though, which hopefully will work for you – fingers crossed: https://youtu.be/ZFnH8DtrIRc

My penultimate choice for this week is a Fleetwood Mac song but, as I included them last week, I thought I’d give you a fabulous cover version instead. I know I’m doing myself out of a future Under The Covers selection by sharing this, but it’s worth it:

As cover versions go, that one is hard to beat. The Highwomen are a country ‘supergroup,’ comprising Maren Morris, Brandi Carlile, Natalie Hemby and Amanda Shires. Amanda’s husband, Jason Isbell, turned up for this recording to keep an eye on her: they are on the left of the screen, front and back rows. They recorded the song in 2019 for the movie The Kitchen, and this live studio recording followed shortly after. I think it’s incredibly good. In case you need reminding, the Fleetwood Mac original version was on side 2, track 1 of the 1977 album Rumours, which of course was #1 in the US and the UK, and in loads of other places too. This song wasn’t released as a single, though it was the B-side to the single release of You Make Loving Fun in Germany and France. Don’t ask why just those two countries: I have no idea!

Today’s final song is the ‘is she cheating or leaving’ one:

My apologies for the static video: I did find some live recordings but the sound quality wasn’t great, so I’m giving you the studio version. With a song this good, who needs pictures anyway? This was the opening and title track from Jackson Browne’s twelfth album, released in 2002. The album peaked at #36 in the US and #53 here in the UK. Jackson has long been a favourite of mine: his connection with the Eagles, and co-writing of Take It Easy, has assured him of that, and I still rank the concert of his that I attended in 2010 as one of the best I’ve ever seen. It was at the Royal Albert Hall in London, which has great acoustics and is ideally suited to him – that probably explains why he is a regular performer there during his tours. Tours? Live concerts? Remember them? Hopefully soon, my friends…

That’s all for this week. It has been fun compiling this, and there is some great music here, which I hope you’ve enjoyed. I’ll see you again next Tuesday, with a selection prompted by whatever comes into my head as a theme. Until then, stay safe and well.

Tuesday Tunes 2

One of the comments on last week’s first Tuesday Tunes post suggested that I should make this a regular feature. This seemed like a good idea, so I’m going to do it at least for the duration of the Covid-19 crisis – the number of each post will serve as a useful count at the start of each week the UK has been in lockdown, even if it serves no other purpose! I dipped my toe into this water last week by sharing two songs and, as I don’t intend these to become magnum opuses (opi?) – I’m going to stick with that format. Though, knowing how well I ever keep to a plan, there is no guarantee of that!

This week’s two songs are, in title at least, my little response to Covid. The first is from a man whose music I’ve loved for over 50 years, going right back to his days as a founder member of Fairport Convention. I have just about every album he has ever made (does anyone know where I can get Sunnyvista without breaking the bank?), and have seen him play live as part of the Fairports, with his then girlfriend – and later wife – Linda, solo and with his own band. I never tire of listening to the great Richard Thompson, a man who has written so many wonderful songs. This one gives us all a suitable message for these strange times in which we find ourselves:

Yes, I know it’s about a love affair and not a virus, and yes, I know I posted it as a #SongOfTheDay on my Facebook page recently, but so what? It’s a great song, deserves to be heard again, and the message transfers well!

Continuing my (very) loose theming, my second song this week is also about doomed love, rather than a virus, But the message could easily apply: it’s what we’re all wishing we could do to Covid-19, restrictions on our lives, and worries about whether we’ll be caught short of toilet paper. The band Del Amitri had a few years of success in the pop charts, and should, I feel, have had more. Derided by some as a ‘pop band,’ and somehow unworthy of the attention of serious musos (or pseuds), they produced some seriously good songs, and Justin Currie, their leader, wasn’t given the credit I felt he deserved for his songwriting abilities. This is what we all wish we could do to Covid-19 right now:

I hope you’ve enjoyed these two Tuesday Tunes. They may not really have anything to do with viruses, pandemics, incompetent governments or lockdowns, but they have, I hope, brought a little enjoyment into your life and brightened your day. We could all do with that right now!

Stay safe, isolate if that’s what you’re required to do – it makes sense – and be well. I’ll see you again next Tuesday for some more tunes that have nothing to do with Covid-19.