Having given the Eighties a thorough going over for the past five weeks I think it’s time to move on. No, I’m not going into the Nineties, that is just a step too far. But it does feel right to go back to themed selections, and with the drop in temperature plus the winds, storms and lots of rain that we’ve been having recently, Mother Nature has reminded me that seasons change, so this seems like the right time for this week’s theme: autumn.
I know that many of you call this season ‘fall,’, but that just sounds too prosaic to me and anyway, I speak proper English, so for me this has always been autumn, the ‘season of mists and mellow fruitfulness,’ to quote a far better writer than I: a certain John Keats, if you weren’t aware. But he never got to write a blog, did he, so there!
I’ve chosen seven pieces for you today, only one of which is from the US, which probably reflects their use of a different name for the season, though they do seem to use it when it suits them. The rest are mostly British, though a couple of outliers have crept in, from Italy and Canada. This first one is quintessentially British:
That brings back so many memories for me! I was 14 when Autumn Almanac was released, in October 1967, probably at the peak time for my interest in the pop charts. This performance is marked as being from TOTP which, for the uninitiated, means Top Of The Pops, the weekly pop music show from the BBC: essential viewing! Apart from compilations, this song has never been on an album: though The Kinks released quite a few they are usually recognised as more of a singles band. This one peaked at #3 in the UK charts, and also got to #5 in Germany as well as several other countries’ top twenties. It wasn’t a hit in the US, probably due to the unofficial ban placed on the band by radio stations over there after an onstage fight between two of them – they were deemed a bad influence on susceptible American youth. What a bunch of wusses. Somehow, though, I don’t think it would have done all that well there anyway, as so much of it is relatable to the lifestyle we had here at that time but might not have travelled well. As a little snapshot of popular British culture and history it is perfect, though.
This next one is the American choice for this selection. Without using either ‘fall’ or ‘autumn’ it takes the theme of autumn as a metaphor for a relationship, and is from another master songwriter:
I was 13 years when I heard this song, I’m 68 now but I won’t be for long. Sorry, it’s an old line but I couldn’t resist it. In those early days, Simon and Garfunkel brought us so many magical little pieces like this one. This was on their Sounds of Silence album, released in January 1966, which reached #21 in the US and #13 here in the UK. The song was the B-side to the single of Homeward Bound, also released in January 1966, which got to #5 in the US and #9 in the UK. The harmony of their voices is beautiful, and they never made a bad record. They also possessed the ability to appeal to a wide audience: I loved them (still do) and my parents both enjoyed their music, which was an unusual occurrence with my musical tastes!
Back to the UK for the next couple. Not that I plan these, or anything, but this one also takes its theme of autumn as a metaphor for a relationship:
Forever Autumn is often mistakenly credited to the Moody Blues. It is an easy mistake to make: when Jeff Wayne wrote his Musical Version Of The War Of The Worlds he specified that he wanted the singer of Nights in White Satin to perform this song. That was, of course, Justin Hayward, lead singer of the Moodies. I’ve always thought this a beautiful song, and Justin’s voice is instantly recognisable to those, like me, who are longstanding Moody Blues fans. It was released as a single and made #5 in the UK in August 1978, also getting to #47 in the US. Jeff Wayne’s album also reached #5 in the UK, although it got to #1 in Australia and The Netherlands. It squeaked into the US top hundred albums at #98. As concept albums go it wasn’t bad but did feel a bit stretched over its two discs, and the seven CD boxed version is definitely a case of overload for me. Nice spoken parts by Richard Burton, though.
In Tuesday Tunes 71 I included Mike Oldfield’s Moonlight Shadow, which features the great voice of Maggie Reilly. She has an autumn themed song amongst her solo catalogue and, as the previous one was well received I thought I’d share this too:
There must be something about this season that brings out the melancholy amongst songwriters, mustn’t there? The twist in this one is that the relationship is brought to an end by a separation caused by war, rather than failing on its own, and Maggie’s lovely voice is really suited to her own song. As I remarked previously, her solo career has been underwhelming in terms of record sales, though she has had more luck in Europe than in the UK. This album, Heaven Sent, was released in 2013 and as far as I can tell from Wikipedia didn’t chart anywhere. A shame, as she deserves to be heard. She is still making records: her latest was released in January, and is a reworking of some of her collaborations and some of her own songs, as a kind of retrospective. Happy to say, her voice is as good as ever.
I’m being extremely self-indulgent with this next one. It may come as a surprise to you to learn that I like a fair bit of classical music too. I’ve kept that well hidden, though, and I think I’ve only ever mentioned it briefly before, with just one previous piece that I can recall. Time this was rectified:
I count Vivaldi, along with Mozart, Bach, Beethoven and Haydn as my favourite composers, and perhaps I should share more of their music with you – maybe I will, now that the thought has occurred. Vivaldi was born in Venice in 1678, and died in Vienna in 1741. In addition to being a composer he was a virtuoso violinist, teacher, impresario (he staged operas) and a Roman Catholic priest – he was known as the Red Priest, on account of the colour of his hair – and is recognised as being influential in Bach’s development as a composer. Classical pieces tend to be longer than rock songs, and this is no exception to that. Vivaldi’s Four Seasons is one of the most famous classical works, and in its entirety is about forty minutes long. Autumn, the third suite, occupies eleven minutes of that, and I’m giving you just the last part of that as a taster. It is a lovely piece of music, which was brought to a much wider audience when Nigel Kennedy released his recording of it in 1989: to date, this has sold more than two million copies. Each of the movements of the piece is accompanied by a sonnet believed to have been written by Vivaldi, which sheds light on what the movement evokes. In translation, the one for this part goes thus:
The hunters emerge at the new dawn,
And with horns and dogs and guns depart upon their hunting
The beast flees and they follow its trail;
Terrified and tired of the great noise
Of guns and dogs, the beast, wounded, threatens
Languidly to flee, but harried, dies.
So now you know! The music is more cheerful than the poem, I think.
As the Autumn Equinox occurs in September I feel justified in featuring this song – my blog, my rules! I wasn’t planning on including it, but when I shared the official video for it as the music for my recent monthly review post September Fields it got such a good reception that I decided to add it in as a bonus. Rather than just repeat the same video – you can follow the link above if you want to see it – here’s a rather good live version:
There are other live performances of that on YouTube but they are mostly acoustic: I like this one, as it has it the horn section accompaniment as per the recorded version, rather than the acoustic bonus track version that is on the Indian Ocean album. As I said previously, Frazey has a special voice, and I absolutely love her music.
Despite how much I like that last one, I think I’ve definitely saved the best till last for you this week. This is absolutely beautiful, both in its words and music:
The Autumn Stone was a compilation double album of the Small Faces’ hits, plus some additional unreleased and live tracks, which came out in November 1969 – six months after the band had broken up. I asked for it as a Christmas present that year and Santa duly delivered. It was one of my most played records, as I was big fan of the band. This was one of the previously unreleased tracks: it had been recorded in September 1968 as a potential single, but was never released. I have always found it stunning: the lyrics are superb, Steve Marriott’s voice had never been better, and the musicianship is excellent, especially that lovely (uncredited) flute solo. It was a definite move forward for a band who had previously been seen as a bunch of lads having a good time, not taking things too seriously. The album didn’t chart, which I always found a surprise: the band had been very popular here and the inclusion of a wealth of other music as well as their singles should, I thought, have been much more successful. But as I’ve opined before, record buyers can be a fickle bunch.
That’s it for my look at autumn. I awoke this morning to a little sunshine, but that has gone now and the dullness has returned. And it is cold: hopefully I can stay warm until the heating boiler is fixed next week – those blankets and throws are coming in handy just now! Have a good week, have fun, and take good care of yourself and those who are important to you 😊
Pingback: October Skies | Take It Easy
love your choices and your quote Clive. Happy Autumn to you too!💖
LikeLiked by 1 person
Thanks, Cindy, glad you enjoyed them 😊
LikeLiked by 1 person
You’re soooo welcome my friend.. 💖
LikeLiked by 1 person
Found this on Senior Salon ILinkz.
It’s Autumn for me too, always was.
Great songs, and yes you did save the best for last. Beautiful 😍
LikeLiked by 1 person
Glad you found it and enjoyed the music. That last one is pretty good, isn’t it 😉
LikeLiked by 1 person
I laughed aloud hearing the story about the Kinks being banned. That was priceless, considering our lack of morals. I’ve never heard that song before. I’m surprised that I don’t remember the Simon and Garfunkel tune. Their voices are so great together. I remember Forever Autumn and am a bit surprised it did not have more commercial success. The one that steals the show for me this week is Maggie’s song. What a gorgeous voice! Though I like rock music the best, it was nice to hear some Vivaldi. I appreciate the horns in September Fields—terrific sound! Not surprisingly, I also liked the Small Faces’ song. Great work on the flute. Lots of new songs for me this week, but I liked them all.
LikeLiked by 1 person
I think I may have told that story before, but it’s a good one. Maybe if they had shot each other it might have gone down better over there? I’m not surprised you haven’t heard it before, though. But I am surprised at the S&G one – maybe you had to have had the album to know it? You’re right on Forever Autumn – I’d have expected it to do at least as well there as it did here. Maggie Reilly’s voice is indeed a thing of beauty, isn’t it! I’m also pleased you liked all the others too: I couldn’t resist adding Vivaldi into the mix and it seems to have gone down well. My favourite of these is the Small Faces one: a simply gorgeous song, and I’m pleased you liked it too 😊
LikeLiked by 1 person
Every one a winner. Oops, just dropped one of the two brain cells and the remaining one is lonely and preparing to get Autumnal on me.
Hugs
LikeLiked by 1 person
Glad you like the choices, David, but do try to be more careful with those brain cells, please 😂
LikeLiked by 1 person
A nice Autumn mixture there Clive. The two Autumn stars for me are The Kinks and The Small Faces. Marriott’s song puts me in mind of Ronnie Lane’s ‘Debris’ which he wrote and sang with the Faces. One wonderful classic Autumnal song I heard recently on the radio (its more about love than Autumn as such) is Neil Young’s ‘Harvest Moon’.
LikeLiked by 1 person
Both great songs, Paul, of a similar vintage. I agree on Debris, too. I considered Harvest Moon but decided it wasn’t sufficiently autumnal!
LikeLiked by 1 person
My the way – how cool for the timing of your sharing a Keats quote:
the ‘season of mists and mellow fruitfulness,”
Because I am in true middle of watching Bright Star (2009) a nice little movie about Keats last couple of years and his charming encounter with a lady and the love they shared – and so I was just reading a little more in Keats and then a bit late came here and saw that line – love when things line up like that
Hope you have a great day Clive
LikeLiked by 1 person
I must have known – my psychic powers at work! Bright Star is a nice movie. I remember watching it on tv some years ago. A bit less fraught than films about Keats’ contemporary, Lord Byron! You have a great day too 😊
LikeLiked by 1 person
☀️☀️☀️
LikeLiked by 1 person
More Frazey Ford? Much as gracias
She sings so effortlessly and has this genuine non-performance kind of feel that adds to her unique vocal output
And Vivaldi was unexpected and nice – i have seasons of indulging in classical – and remember in 1995 I had my morning alarm clock go off to different classical music – my roommates laughed at some off the deck toons – like i Think one CD I had was “thunderous classical” hahaha
—
LikeLiked by 1 person
Same song, live performance to emphasise how good she is. Someone said in the YouTube comments that she goes into a zone while playing – I can see what they meant.
The Vivaldi was intended to be a surprise, so I’m glad it was!
LikeLiked by 1 person
😋🎶🎶
LikeLiked by 1 person
The Vivaldi One is awesome, Clive so beautiful 🙂 x
LikeLiked by 1 person
It is, isn’t it. They play it so well, and they have genuine instruments from his day which help bring it to life 😊 x
LikeLiked by 1 person
Thank you for Vivaldi. You can’t go wrong with that.
LikeLiked by 1 person
You sure can’t!
LikeLike
Thanks for Vivaldi, I love that piece. Which one was from Canada?
LikeLiked by 1 person
So do I! Frazey Ford is the Canadian, a long time part of the Be Good Tanyas, an alt-folk female trio.
LikeLiked by 1 person
Thanks!!
LikeLiked by 1 person
‘Leaves that are Green’ is one of my favourite songs. I’ve just downloaded it. Haven’t heard it for a while. Thanks Clive!
LikeLiked by 1 person
Thanks, Stevie, glad to have given you a favourite 😊
LikeLiked by 1 person
the only song I really recognized was Four Seasons, one of my all-time favorite pieces of Classical music (not that I know that much to choose from; I certainly hope you start doing a series on classical music so I can learn some more about this genre!)
I didn’t even know the Simon and Garfunkel song!
It was nice to hear Maggie and Frazey again, such wonderful voices.
the Small Faces song was quite pleasant to listen to.
Twe items I would have included i I were doing a post about Autumn:
Fall in Philadelphia by Hall and Oates
Autumn, an album by piano player extraordinaire George WInston…
thanks for putting me in a nice calm state of mind with these tunes to start my day!
LikeLiked by 1 person
I’m glad to have brought some new ones to you, and to have given your day a start of mellow fruitfulness.
I think my knowledge of classical music might not stretch too far, but I do have a few favourites. Might be worth a go…
Maggie and Frazey are always worth hearing. The Small Faces one is lovely, especially so for being so spectacularly different from just about everything else they did.
I don’t know either of the others you mention. Maybe Hall and Oates should have called it ‘Autumn in Philadelphia’ to get my attention – I can see why it got yours!
I’m surprised you didn’t know the S&G one, but hope you liked it: it’s a lovely little song, and very typical of them.
LikeLiked by 1 person
I did enjoy the S&G one, but it’s hard not to like any of their music…
By the way, i you want to get a taste of George WInston, here is an amazing piece, Pachelbel’s Kanon in D:
How he can put on a two-hour concert of such music is beyond me..
LikeLiked by 1 person
I’m not really a fan of solo piano. I can appreciate the skill but it somehow sounds a bit empty to me. This is also one of my favourites, and this is how Pachelbel wrote it to be played: https://youtu.be/JvNQLJ1_HQ0
I know which I prefer!
LikeLiked by 1 person
I’ve seen that video before, and it is wonderful. But I also appreciate the skill of a solo piano player (which you note). I remember how much I enjoyed the movie The Competition – it was about the high stakes world of classical piano music competitions… https://www.youtube.com/watch?v=RCaOs2kCVPo
LikeLiked by 1 person
It’s the same mob that did the Vivaldi in this piece. A very talented bunch. I’ve not heard of that movie, but probably wouldn’t have been attracted by the subject anyway!
LikeLike
I agree on the inclusion of Vivaldi. There are many wonderful recordings of the piece, but I do enjoy the edginess of Nigel Kennedy’s interpretation.
LikeLiked by 1 person
Thanks, Leon. It seemed right. Most things Nigel Kennedy did could be described as ‘edgy!’
LikeLiked by 1 person
Thanks for the play list for my autumn dinner party. Although, I will add Autumn in New York.
LikeLiked by 1 person
You’re very welcome, and you are of course free to add in your own choices 😉
LikeLike
Clive, I like that you threw some Vivaldi in the mix. Nice assortment, my friend. Keith
LikeLiked by 1 person
Thanks, Keith. It felt right to do it 😊
LikeLike
I think I’ll go for Vivaldi today.Much of his music is as lively as any twentieth century jazz pop etc. I also love another Four Seasons by Glazunov.
LikeLiked by 1 person
I’m pleased you chose that one, I wasn’t sure how it would go as it’s a little different for me. I don’t know the Glazunov, but thanks for the tip 😊
LikeLiked by 1 person
‘Autumn Almanac’ is one of my favourite Kinks’ songs. Top 5 perhaps. Good choices.
LikeLiked by 1 person
It’s such a good song, isn’t it – 60s Britain in a nutshell. Glad you enjoyed them.
LikeLiked by 1 person
Yes… Football on Saturdays and roast beef on Sundays 🙂
LikeLiked by 1 person
Good man Clive, keep them coming! Some memories there!
LikeLiked by 1 person
Many thanks, Enda. Glad they gave you some memories but I hope that wasn’t of the first performance of the Four Seasons 😉
LikeLike
Haha
LikeLiked by 1 person